Enemy Front (v1.0)

Robert Hawkins fights his way through occupied Europe as a war correspondent drawn into the resistance during World War II. Enemy Front aims for a more flexible kind of historical shooter, trading tightly controlled corridors for larger combat spaces where a suppressed rifle, a stolen uniform, or a bag of explosives can all become the right answer. Its campaign moves across France, Norway, and Warsaw, mixing familiar wartime imagery with the less commonly used Warsaw Uprising. The mood is gritty and cinematic, though it still carries the straightforward, pulpy energy of an old-school FPS.

Most missions let Hawkins scout an objective, choose a route, and decide whether to stay hidden or start a firefight. Sniping rewards patience and positioning, while stealth allows for quiet takedowns and evasive movement through enemy-held areas; sabotage objectives add a useful sense of purpose beyond simply clearing rooms. When alarms sound, combat becomes a conventional weapon-driven shooter built around period rifles, machine guns, pistols, explosives, and mounted guns. Checkpoints keep the campaign moving, but enemy awareness and inconsistent AI can make silent approaches less dependable than the game intends, especially when a single mistake turns an infiltration into a chaotic gun battle.

Its strongest feature is the attempt to give a WWII campaign room to breathe, with battlefields that offer alternate entry points, environmental cover, and opportunities to improvise. The visual presentation captures ruined cities, snowy outposts, and war-torn villages effectively, while the historical focus on European resistance fighters gives the story a different angle from the usual Allied front-line fantasy. Enemy Front does not reach the polish or tactical depth of the best Battlefield or Sniper Elite entries, and its rough edges are noticeable, but it remains a worthwhile pick for players who want a single-player WWII shooter with more freedom than Call of Duty’s heavily scripted campaigns.